BYRON
WERNER
Photography

I've been shooting photographs for fun for over 20 years — recently I decided to shoot photos professionally.

What makes my approach a little different is where I come from. I'm a Director of Photography by trade — I spend most of my working life on motion sets, thinking cinematically about light, composition, and story. A few years ago I started formally combining still and motion work on the same shoots, and the results have been a game changer for clients.

Rather than booking separate crews and days for your video and photography needs, we handle both in a single, efficient production. You get a cohesive visual language across all your assets, a tighter timeline, and a more streamlined budget — the kind of efficiency that makes creative directors and producers very happy.

When it comes to light, I gravitate toward continuous sources — what you see with your eye is what you get. I use strobes when needed, however continuous light gives my stills a warmth and depth that feels more cinematic than flash-heavy work.

If you're planning a campaign, a brand shoot, or a production that needs both motion and stills, there's a smarter way to do it.